It’s degree show season and we kicked of with Central Saint Martins Degree Show Two last week.
Starting with MA Material Futures which was as always full of the weird and wonderful. With speculative and critical design subjects contextualised through making and the tangible we were guaranteed to find some surprises around the corner of that neon lit wall. With the Labs concern for material exploration and the utilisation of resources the projects that stood out all dealt with materials commonly viewed as waste. From organic waste streams that are prolific and so often discarded as useless to the man made world of plastic we seem to have created.
Perhaps the most progressive use of a waste stream was presented by Sinae Kim with her project ‘This is urine’. As the title suggests we were confronted with a series of organic vessels entirely crafted from urine. Their was a sense of the prehistoric about them. Each piece was made using human urine – ‘extracting the minerals to produce clay, distilling it to form a natural glaze and eventually crafting ceramic vessels that nod to the origin of this humble, abundant and completely under-utilised natural resource.’
With each of us producing around 2 litres of urine daily, globally that scales up to over 10.5 billion litres every single day being flushed away – it is a resource that perhaps would make many uncomfortable but clearly has great potential and purpose.
‘This is urine’ by Sinae Kim
Lulu Wang’s project ‘Increasing the value of rice husk’ offered a practical and poetic solution to eliminating the burning of waste rice husk that takes place yearly throughout China. By creating simple but necessary tools such as chop sticks and writing implements with this by-product of the rice farming industry Lulu also tackles the ‘annual haze, a smog that engulfs China and is one of the largest contributors to declining public health.’
‘Increasing the value of rice husk’ by Lulu Wang
We saw the much publicised horror of plastic waste tackled by students Charlotte Kidger and Katie May Boyd both utilising this as a raw material to make with.
Charlotte’s project ‘Industrial Craft’ explored making a new composite from polyurethane foam dust a waste product from CNC milling. By exploring this new material from a hands on practice she has successfully created a new desirable material, with objects that are visually appealing and will no doubt hold value.
‘Industrial Craft’ by Charlotte Kidger
Katie May Boyd
Whilst Katie’s project ‘Foreign Garbage’ focusing on expanded polystyrene (EPS) solely used for packaging made commentary on societies excessive consumption, with little regard to the waste that constantly buying produces. With the recent ban China has brought in, refusing to take any more of our waste the beckoning cat or Maneki-neko symbolises our plastic obsession and adds an element of humour to an otherwise bleak topic. The project acts as an important ‘tool for discussion around waste.’
‘Foreign Garbage’ by Katie May Boyd
At MA Industrial Designs show the projects we were struck by focused more heavily on growing, utilising tech, open source and hacking to grow, survive and flourish in the city.
One of our favourites was ‘Green Me’ by Zoe Kahane – a project that’s simplicity spoke volumes. ‘Greening the City through active citizen participation’ – the project enables and encourages citizens to green their city, with the notion of positive grafitti the act benefits the environment and people. Using old socks and an easily assembled open source structure the design attaches to railings, lamp columns, and fencing panels temporarily, causing no damage and the ability to be moved and changed. By encouraging citizens to take ownership of their public spaces and actively improve the environment this project acts as a small step that collectively could amount to large change.
‘Green Me’ by Zoe Kahane